
Last year, at this time, we were in full wedding mode. To Lina & Jed and Ronnie & Stimpy, Happy Anniversary!

"Monty Python's Life of Brian" is funny, in that peculiar British way where jokes are told sideways, with the obvious point and then the delayed zinger.Oh the absurdity...oh the nudity...and remember always look on the bright side of life! I hope Steve Smith has seen this movie. There is one part where Judith runs in and interrupts a meeting and they propose a motion to "get on with it" and I thought of council at that moment and Bazin because they needed a seconder. HC7 should watch this movie together, they'd love it.
"But this could take another 100-200 years, or (pause for added drama) it could be tomorrow."
25 June ~ At a press conference, Mr. Annan says he will use his upcoming trip to Sudan to press Khartoum to meet its obligations to protect its civilians and to disarm the Janjaweed. He says the international community must keep up the pressure on Sudan and urges donors to step up their aid. Mr. Annan says the people of Darfur are suffering a catastrophe and terrible crimes have been committed against them. Asked whether it is genocide or ethnic cleansing, he says we don't need a label to propel us to act.
Future Trolley Operations update:
The Transportation and Public Works Committee (TPW) of Council continued discussing future trolley operations on Tuesday, July 6th. After directing several questions at City Administration, Councillor Thiele made the following motion:
1 That Edmonton Transit continue to operate trolleys.
2. That auxiliary propelled units (APUs) be added to the existing units to free up diesel buses currently used as back-up.
3. That Administration arrange to have a demonstration of low-floor trolley buses to be utilized within the system for information gathering.
4. That expansion of the trolley fleet to Northgate be considered in the 2006 budget.
Councillor Thiele’s motion will be discussed at the July 20, 2004 meeting of TPW. No decision has been made yet. City Council will make the final decision on this matter. Stay tuned.
"The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good."
It's raining. A virtual deluge pours down in this lazy Naw’lins hamlet of flophouses and broken-down tenements.
A lone and nasty jazz sax wails and cries in the horny decibel of an alley cat.
This thing, this person, part-man, part-wounded brute stands alone in that deluge, howling like a siren gone insane. Something is clearly wrong with this man. You don’t know what, but something.
He’s lonely. He’s hurt. He’s repentant. He’s frustrated. He’s experiencing some insane strain of pain and anguish and he lifts his brutish face to the rain and screams “Stellllllll-la!”
He’s a raging poem of a man, his words spoken at midnight, after too many cigarettes and belts of bourbon.
He’s crying now, like a lost and tormented child, missing and desperately searching for his mother:
“Hey, Stellllllllllla!” he tears his tee shirt and screams.
You’re afraid of him now. And maybe just a little amused by him. But suddenly you realize Stella is not his mother. Stella is his woman, and he wants out of the doghouse. He wants to be let back in— let in the door, let into her sanctuary, let in between her legs.
She appears, his angel, and the horns get real, real lewd with it now. She’s all spiteful and salty, all slow legs and silent-thigh-sweat. She’s that cinematic silent-speak, which telegraphs she’s horny as hell. Without words, only horns, eyes and spicy subtext, she glides down the stairs, and you just *know* she forgives him.
He picks her up, throws her on his beefy shoulder. He carries her seductively up those seedy stair-steps, to their sleazy little life and to both their sanctuaries.
This was my introduction to Brando. I was mesmerized.
He was authentic. He spoke volumes with his silences. His subtext alone would fill dictionaries. He spoke, he moved, he scratched, and I believed him.
He elevated the craft of American acting and raised it to an art form. Without him, it’s doubtful there would even be a Dean, Newman, Deniro, Hoffman, Pacino, Duvall, Hackman, Nicholson, Denzel or even a Penn. The list goes on.
Film critics, scholars and actors and directors have showered him with accolades for decades, and the man was worthy of them. I was a fan from that first riveting scene from “A Streetcar Named Desire.” Loved him and FELT him madly in “On The Waterfront, “Guys and Dolls, and of course, his memorable turns in “The Godfather”, “Apocalypse Now,” and “Last Tango In Paris.” He was hot like fire and cooler than ice.
I even admired parts of his off-screen life, from his visible role in the struggle for Civil Rights to his support of African-Americans, Latino, Asian, and Native-American people.
In his prime, he was a laconic hunk with a deep social conscience. Men admired him, and the women adored him. So what if the man had issues with penis discipline. Yes. He produced a mess of children with a small army of exotic women. But his greatest progeny is his film work, sparse as it was, and this should and will be his testament, cinematically speaking.
Brando’s gone. It’s doubtful we will ever see his like, again.
Funny, how I’m reminded of his character Terry Malloy from ‘Waterfront’: “I coulda been a contenduh. I coulda been somebody…”
Trust me you were, man. You were!